San Francisco Opera Chorus Roster Moby Dick

especially the thrilling contributions from the large all-male chorus, prepared by Alexander Rom. Co-commissioned by Dallas Opera and four other companies, Moby-Dick has gone on to public and critical.

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Adler Fellow Joo Won Kang, commander of the Rachel, booms mightily from offstage. With no weak links among the soloists, chorus and orchestra, San Francisco Opera’s “Moby-Dick” is a production to.

D.C. The San Francisco production was telecast nationally on “Great Performances.” The opera version of “Moby-Dick” returns to The Dallas Opera’s stage six years later, premiering Friday at the Margot.

High: "Moby-Dick. San Francisco Contemporary Music Players: Since the arrival last year of Artistic Director Steven Schick, the Bay Area’s premier new-music ensemble has enjoyed a new air of.

Other members of the top-notch production team include set designer Robert Brill (Moby-Dick. Dallas Opera in the acclaimed 2013 production of Dominick Argento’s The Aspern Papers before creating.

Although illness forced McNally out of the picture, Dallas agreed to stage “Moby-Dick.” To share the cost and ensure multiple performances, the State Opera of Southern Australia, the Calgary Opera,

Composer Jake Heggie and librettist Gene Scheer’s award-winning opera Moby-Dick will be broadcast on THIRTEEN’s Great Performances Friday. and Robert Orth (Stubb), The San Francisco Opera Orchestra.

Special guest stars, operatic baritone Morgan Smith (San Francisco Opera’s Moby-Dick) and actor Kip Niven who delivered exquisite, heartfelt performances. Other chorus world premieres included.

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When “Moby-Dick” made its world premiere at Dallas Opera in 2010, followed by its acclaimed West Coast premiere at San Francisco Opera in 2012. Christopher James Ray’s chorus sounded tremendous.

Heggie’s opera premiered at Dallas Opera in 2010, received an acclaimed San Francisco Opera production in 2012 and. “It’s a Wonderful Life.” Now “Moby-Dick” is returning to the Bay Area, in an.

SAN. the San Francisco Opera. With the company’s fall season in full swing, three different works took the stage on consecutive nights Thursday through Saturday. First was Jake Heggie’s.

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Summers, who has been on the podium for each of Heggie’s operatic world premieres, made his San Francisco Opera conducting debut in 1990 and has led 33 works with the Company. Chorus Director.

The Jake Heggie opera Moby-Dick, premiered by the Dallas Opera in April 2010. (European companies are way ahead of Americans in this regard.) The prize has gone to San Francisco Opera, the last of.

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Opera San José opens its 31st. As a staff conductor and cover at the San Francisco Opera, Mr. Marcheso worked the productions of Show Boat, The Flying Dutchman, the San Francisco premieres of Jake.

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Composer Jake Heggie and librettist Gene Scheer’s award-winning opera Moby-Dick, will be broadcast on THIRTEEN’s Great Performances Friday. and Robert Orth (Stubb), The San Francisco Opera.

As he and Scheer worked to distill a huge, classic book into a two-act, three-hour operatic story, the composer felt "the musical world reveal itself" with grand orchestration and a 40-voice men’s.

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It’s a shapely mix of arias, duets, and ensembles, with outstanding writing for chorus. line between opera and musical theater. His earlier works, such as “Dead Man Walking” and “Moby Dick,” both.

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But Moby-Dick’s saga won’t end in Dallas. It was co-commissioned by four other opera companies as well and although Ben Heppner has contracted to sing Ahab again only for San Francisco Opera, it will.

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